Beaches (also known as Forever Friends) is a 1988 American comedy-drama film adapted by Mary Agnes Donoghue from the Iris Rainer Dart novel of the same name. It was directed by Garry Marshall, and stars Bette Midler, Barbara Hershey, Mayim Bialik, John Heard, James Read, Spalding Gray, and Lainie Kazan.
Despite generally negative reviews from critics, the film was a commercial success, grossing $59 million in the box office, and gained a cult following.
A sequel, based on the novel Beaches II: I’ll Be There was planned with Barbara Eden but never filmed.
The story of two friends from different backgrounds, whose friendship spans 30 years, 1958-1988, through childhood, love, and tragedy: Cecilia Carol “C.C.” Bloom, a New York actress and singer, and Hillary Whitney, a San Francisco heiress and lawyer. The film begins with middle-aged C.C. receiving a note during a rehearsal for her upcoming Los Angeles concert. She leaves the rehearsal in a panic and tries frantically to travel to her friend’s side. Unable to get a flight to San Francisco because of fog, she rents a car and drives overnight, reflecting on her life with Hillary.
It is 1958; a rich little girl, Hillary, meets child performer C.C., under the boardwalk on the beach in Atlantic City, New Jersey. Hillary is lost and C.C. is hiding from her overbearing stage mother. They become fast friends, growing up and bonding through letters of support to each other. A grown-up Hillary goes on to become a human rights lawyer, while C.C.’s singing career is not exactly taking off. They write to each other regularly and give updates on their lives. Hillary shows up at the New York City dive bar where C.C. is performing, their first meeting since Atlantic City. She moves in with C.C. and gets a job with the ACLU. C.C. is now performing singing telegrams, leading to a job offer from John, the artistic director of the Falcon Players, after she sings his birthday telegram.
A love triangle ensues as Hillary and John are instantly attracted to one another, leaving C.C. in the cold and feeling resentment toward her best friend. Matters are made worse when Hillary and John sleep together on the opening-night of C.C.’s first lead in an off-Broadway production. When Hillary returns home to care for her ailing father, the two friends resolve their issues about John, as John does not have romantic feelings for C.C. After her father passes away, Hillary spends time at her family beach house with lawyer Michael Essex, eventually marrying him. C.C. and John spend a lot of time together, start dating and eventually marry.
Hillary and Michael travel to New York to see C.C. perform on Broadway, where she has become a star. When C.C. finds out that Hillary has stopped working as a lawyer, she accuses Hillary of giving up on her dreams. Hillary responds that C.C. has become no more than a “pretentious social climber” who is obsessed with her career. After the argument, Hillary ignores C.C.’s letters, throwing herself into being a dutiful, but unchallenged, wife.
John tells C.C. that her self-centeredness and obsession with her career has him feeling left behind and he asks for a divorce. Despite the separation, John tells her, ‘I love you, I’ll always love you. I just want to let go of us before us gets bad.’ Upset at the thought of her marriage failing, C.C. turns to her mother, who lives in Miami Beach. Her mother tells her that she has given up a lot for her daughter, and C.C. starts to understand when her mother tells her the effect that her selfishness has had on those closest to her. Meanwhile, Hillary returns home from a trip earlier than expected to find her husband having breakfast with another woman, both wearing pajamas.
When Hillary learns that C.C. is performing in San Francisco, she makes contact for the first time in years. They learn of each other’s divorces, then discover that they have been secretly jealous of each other for years: Hillary is upset that she has none of the talent or charisma that C.C. is noted for, while C.C. admits she has always been envious of Hillary’s beauty and intelligence. The two then realize that their feud could have been avoided by honest communication.
Hillary tells C.C. that she is pregnant and that she has already decided to keep the baby and raise the child as a single parent, a decision that wins her much admiration from the feisty and independent C.C., who promises she will stay and help her out. C.C. even starts talking of settling down and having a family of her own, having become engaged to Hillary’s obstetrician. However, when C.C.’s agent calls with the perfect comeback gig for her, C.C. quickly abandons her fiancé and any notions of the domestic life and races back to New York City, discovering that the comeback gig is at her ex-husband John’s theater, bringing her full circle to where she began her theatrical career.
Hillary eventually gives birth to a daughter, whom she names Victoria Cecilia. When Victoria is a young girl, Hillary finds herself easily exhausted and breathless, a state she attributes to her busy schedule as a mother and a lawyer. When she collapses while at court, she is diagnosed with viral cardiomyopathy requiring a heart transplant if she is to live. Having a rare tissue type, she realizes she will most likely die before a heart is found.
In the meantime, C.C. has become a big star, having won a Tony award and completed her latest hit album. When she learns of Hillary’s illness she agrees to accompany Hillary and Victoria to the beach house for the summer. Hillary becomes depressed due to her debilitated state and inadvertently takes her frustration out on C.C. who she sees having fun with and connecting with Victoria. Hillary eventually begins to accept her prognosis bravely, appreciating her time with Victoria and C.C. Hillary and Victoria return to San Francisco, while C.C. heads to Los Angeles for her concert. While Victoria is packing to travel to the concert, Hillary collapses, leading to the note C.C. receives at the start of the movie which prompts her overnight drive to San Francisco. C.C. takes Hillary and Victoria to the beach house. The two friends watch the sun setting over the beach, transitioning directly to a scene of C.C. and Victoria at a cemetery (all with C.C. singing “Wind Beneath My Wings” in the background).
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After the funeral, C.C. tells Victoria that her mother wanted her to live with her, although several of her family members have asked. C.C. admits that she is very selfish and has no idea what kind of a mother she will make, but also tells her: “there’s nothing in the world that I want more than to be with you”. She then takes Victoria into her arms and the two console each other in their grief. C.C. goes forward with her concert, and concludes it singing “The Glory of Love,” the first song Hillary heard her sing 30 years ago; as it ends, C.C. tearfully waves toward the sky, in tribute to her. After the show, she leaves hand-in-hand with Victoria, and begins telling stories of when she first met her mother. C.C.’s and Victoria’s voices fade as we hear the younger C.C. and Hillary from 1958: “Be sure to keep in touch, C.C., OK?” “Well sure, we’re friends aren’t we?” The film ends with a young C.C. and Hillary taking pictures together, in a photo booth, on the day they first met.
Cast
- Bette Midler as Cecilia Carol “C.C.” Bloom
- Mayim Bialik as 11-year-old Cecilia Carol “C.C.” Bloom
- Barbara Hershey as Hillary Whitney
- Marcie Leeds as 11-year-old Hillary Whitney
- John Heard as John Pierce
- Spalding Gray as Dr. Richard Milstein
- James Read as Michael Essex
- Lainie Kazan as Leona Bloom
- Grace Johnston as Victoria Essex
- Lynda Goodfriend as Mrs. Myandowski
- Tracy Reiner as Department Store Clerk
- Jenifer Lewis as Diva
- Joe Grifasi as Otto Titsling
- Phil Leeds as Sammy Pinkers
- Frank Campanella as Doorman
- Kathleen Marshall as Delivery Room Nurse #1
- Barbara Marshall as I.C. U. Nurse #2
- Scott Marshall as Car Rental Agent
- Héctor Elizondo as Judge
- Garry Marshall as Audition Director
- Marc Shaiman as Pianist
Music
The film’s theme song, “Wind Beneath My Wings“, hit number one on the Billboard Hot 100 charts and won Grammy Awards for Record of the Year and Song of the Year in 1990.
Box office
The film took in $5,160,258 during its opening weekend beginning January 21, 1989. It grossed $57,041,866 domestically.
The film was released on VHS and laserdisc by Touchstone Home Video on August 23, 1989, with a DVD release on August 13, 2002, followed by a special-edition DVD on April 26, 2005. The film was later released in High Definition Blu-ray format on November 6, 2012.
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 38% based on 40 reviews, and an average rating of 4.4/10.
Included on the soundtrack was Midler’s performance of “Wind Beneath My Wings“, which became an immediate smash hit. The song went on to win Grammys for Record of the Year and Song of the Year in 1990.
It was nominated for the Academy Award for Best Art Direction (Albert Brenner and Garrett Lewis).
The film is recognized by American Film Institute in these lists:
- 2004: AFI’s 100 Years…100 Songs:
- “Wind Beneath My Wings” – #44
Lifetime announced a remake of the film, which aired on January 22, 2017. The updated version was directed by Allison Anders with the script by Bart Barker and Nikole Beckwith, and Idina Menzel plays the role of C.C. Nia Long plays the role of Hillary alongside Menzel. The film includes the songs “Wind Beneath My Wings” and “The Glory of Love”.
A musical stage adaptation has been written, based on the book by Iris Rainer Dart, with lyrics and book by Dart and Thom Thomas (book) and music by David Austin. The musical premiered at the Signature Theatre, Arlington, Virginia in February 2014. The musical was directed by Eric D. Schaeffer, with Alysha Umphress as Cee Cee Bloom and Mara Davi as Bertie White.
The musical next opened at the Drury Lane Theatre, Oakbrook, Illinois in June 2015 (previews). Again directed by Schaeffer, Shoshana Bean plays Cee Cee and Whitney Bashor plays Bertie. The choreographer is Lorin Latarro, with scenic design by Derek McLane, lighting design by Howell Binkley, costume design by Alejo Vietti and sound design by Kai Harada.