St. Elsewhere

St. Elsewhere is an American medical drama television series that originally ran on NBC from October 26, 1982 to May 25, 1988. The series starred Ed FlandersNorman Lloyd and William Daniels as teaching doctors at an aging, underrated Boston hospital who give interns a promising future in making critical medical and life decisions. The series was produced by MTM Enterprises, which had success with a similar NBC series, the police drama Hill Street Blues, during that same time; both series were often compared to each other for their use of ensemble casts and overlapping serialized storylines (an original ad for St. Elsewhere quoted a critic that called the series “‘Hill Street Blues’ in a hospital”). St. Elsewhere was filmed at CBS/MTM Studios, which was known as CBS/Fox Studios when the show began; coincidentally, 20th Century Fox owns the rights to the series when it bought MTM Enterprises in the 1990s.

Recognized for its gritty, realistic drama, St. Elsewhere gained a small yet loyal following (the series did not rank higher than 49th place in the yearly Nielsen ratings) over its six-season, 137-episode run; however, the series also found a strong audience in Nielsen’s 18–49 age demographic, a young demo later known for a young, affluent audience that TV advertisers were eager to reach.

The series also earned critical acclaim during its run, earning 13 Emmy Awards for its writing, acting, and directing. St. Elsewhere was ranked No. 20 on TV Guide‘s 2002 list of “The 50 Greatest TV Shows of All Time“, with the magazine also selecting it as the best drama series of the 1980s in a 1993 issue. In 2013, TV Guide ranked the series No. 51 on its list of the 60 Best Series of All Time.

St. Elsewhere was set at the fictional St. Eligius Hospital, a decaying urban teaching hospital in Boston’s South End neighborhood. (The South End’s Franklin Square House Apartments, formerly known as the St. James Hotel and located next to Franklin and Blackstone Squares, stood in for the hospital in establishing shots, including the series’ opening sequence.

The hospital’s nickname, “St. Elsewhere”, is a slang term used in the medical field to refer to lesser-equipped hospitals that serve patients turned away by more prestigious institutions; it is also used in medical academia to refer to teaching hospitals in general. In the pilot episode, surgeon Dr. Mark Craig (William Daniels) informs his colleagues that the local Boston media had bestowed the derogatory nickname upon St. Eligius since they perceived the hospital as “a dumping ground, a place you wouldn’t want to send your mother-in-law.” In fact, the hospital was so poorly regarded that its shrine to Saint Eligius was commonly defiled by the hospital’s visitors and staff, and is passingly referred to by Dr. Wayne Fiscus as “the patron saint of longshoremen and bowlers.” (Eligius is neither; he is patron saint of numismatists, metalworkers, and horses.)

Just as in Hill Street BluesSt. Elsewhere employed a large ensemble cast; a gritty, “realistic” visual style; and a profusion of interlocking serialized stories, many of which continued over the course of multiple episodes or seasons. In the same way Hill Streetwas regarded as a groundbreaking police drama, St. Elsewhere also broke new ground in medical dramas, creating a template that influenced ERChicago Hope, and other later shows in the genre. St. Elsewhere portrayed the medical profession as an admirable but less-than-perfect endeavor; the St. Eligius staff, while mostly having good intentions in serving their patients, all had their own personal and professional problems, with the two often intertwining. The staff’s problems, and those of their patients (some of whom didn’t survive), were often contemporary in nature, with storylines involving breast cancer, AIDS, and addiction. Though the series dealt with serious issues of life, death, the medical profession, and the human effects of all three, a substantial number of comedic moments, inside jokes, and references to TV history were included, as well as tender moments of humanity.

The producers for the series were Bruce PaltrowMark TinkerJohn MasiusTom FontanaJohn Falsey and Abby Singer. Tinker, Masius, Fontana, and Paltrow wrote a number of episodes as well; other writers included John TinkerJohn Ford NoonanCharles H. EgleeEric OvermyerChanning Gibson, and Aram Saroyan.


The show’s main and end title theme was composed by famed jazz musician and composer Dave Grusin. Noted film and TV composer J.A.C. Redford wrote the music for the series (except for the pilot, which was scored by Grusin). No soundtrack was ever released, but the theme was released in two different versions: the original TV mix and edit appeared on TVT Records‘ compilation Television’s Greatest Hits, Vol. 3: 70s & 80s, and Grusin recorded a full-length version for inclusion on his Night Lines album, released in 1983.

Along with established actors Ed FlandersNorman Lloyd and William DanielsSt. Elsewhere’s ensemble cast includes David MorseAlfre WoodardBruce GreenwoodChristina PicklesKyle SecorEd Begley Jr.Stephen FurstHowie MandelMark HarmonDenzel Washington and Helen Hunt. Notable guest stars include Tim Robbins, whose first major role was in the series’ first three episodes (as domestic terrorist Andrew Reinhardt), and Doris Roberts and James Coco, who both earned Emmy Awards for their season-one appearance as, respectively, a bag lady and her mentally challenged husband.

St. Elsewhere was noteworthy for featuring episodes with unusual aspects or significant changes to the series’ status quo. Some of those episodes included:


Original air date: November 9, 1983

Dr. Morrison learns of the death of his wife, Nina (with whom he had an argument in an early scene of this episode), after slipping and hitting her head. Nina’s heart is donated to a heart transplant patient—a patient of Dr. Craig. The poignant final scene of the episode finds Morrison entering the patient’s room and, with a stethoscope, hearing the patient’s new heart—Nina’s heart—steadily beating.


Original air date: March 27, 1985

St. Elsewhere ended its 3rd season with this TV crossover that found Drs. Westphall, Auschlander, and Craig getting together at that other Boston TV institution, the namesake setting of the comedy series Cheers. The scene, which was filmed on the main Cheers soundstage (Stage 25 at the Paramount Studios lot) and not entirely done for laughs, finds the bar’s hypochondriac know-it-all Cliff Clavin, trying and failing to gain free medical advice from the doctors; Auschlander confronting his former accountant, Norm Peterson; and barmaid Carla Tortelli voicing her displeasure with the doctors regarding her stay in St. Eligius two years earlier for the birth of her baby. The scene ends with Westphall announcing to his two colleagues that he has decided to leave St. Eligius and medicine, a short-lived departure, as he returned in the Season 4 premiere.

“Time Heals”

Original air date: February 19 and 20, 1986

This two-part episode featured storylines that fleshed out the 50-year history of St. Eligius, each sequence taped in a different style (i.e. black-and-white for the 1930s setting, muted colors for the 1940s). The storylines included the hospital’s 1936 founding by Fr. Joseph McCabe (played by Edward Herrmann), the arrivals of Dr. Auschlander and Nurse Rosenthal, the early struggles of Mark Craig and his relationship with his mentor (which mirrored Craig’s later mentoring of Dr. Ehrlich), the death of Dr. Westphall’s wife, and Dr. Morrison simultaneously dealing with an overdose patient and the disappearance of his son. TV Guide ranked “Time Heals” No. 44 on its 1997 list of “100 Greatest Episodes of All Time”, calling the episode “a masterwork of dramatic writing.”

“After Life”

Original air date: November 26, 1986

This episode deals with the shooting of Dr. Wayne Fiscus, who is critically wounded while trying to capture fireflies in the park across from St. Eligius during a break from rounds. As the staff frantically try to save him, Fiscus ventures back-and-forth between Hell (where he meets former colleague, and rapist, Peter White); Purgatory; and Heaven, where he has a conversation with God, who presents Himself as a spitting image of Fiscus. Just as Fiscus shakes hands with Lou Gehrig, his colleagues successfully revive him back to Earth.

“Last Dance at the Wrecker’s Ball”

Original air date: May 27, 1987

In the season-five finale, all attempts to save St. Eligius from closing seem to have failed. As demolition begins, a frail Dr. Auschlander, accidentally left in the hospital after a relapse, attempts to escape.

“A Moon For the Misbegotten”

Original air date: September 30, 1987

St. Eligius is saved (and any damage from the above-mentioned “Wrecker’s Ball” repaired), but it falls under the new ownership of Ecumena Corporation, a national managed health care concern. (The use of “Ecumena” garnered some real-life controversy, as Humana thought the use of that name sounded too much like its own; the trademark-infringement lawsuit that ensued prompted NBC to begin airing post-episode disclaimers stating that Ecumena was indeed fictional, and to change the corporate name mid-season to “Weigert.”) Ecumena’s choice to head St. Eligius, Dr. John Gideon, mixed like oil and water with the St. Eligius staff, especially Dr. Westphall, who, in the final scene of this episode (and Ed Flanders‘s last moment as a St. Elsewhere series regular), delivers his resignation “in terms you can understand”—by dropping his pants and exposing his bare buttocks to Gideon (“You can kiss my ass, pal”). This scene, which would normally be considered controversial, was preserved by NBC’s censors as they did not consider Westphall’s display to be erotic in nature.

“Their Town”

Original air date: April 20, 1988

In a somewhat change-of-pace episode, Drs. Craig and Novino, Ellen Craig, and Lizzie Westphall visit Donald and Tommy Westphall (Lizzie’s father and brother, respectively), who appear to be enjoying the quiet life in small town New Hampshire. The episode features Dr. Westphall occasionally breaking the fourth wall and speaking directly to the viewer, a la the “Stage Manager” character in Our Town (the episode title and its location are nods to the Thornton Wilder play).

“The Last One”

Original air date: May 25, 1988

St. Elsewhereseries finale featured momentous changes for several main characters, including the departures of Drs. Fiscus and Morrison and the death of Dr. Auschlander, as well as the return of Dr. Westphall to an active leadership role at St. Eligius after Weigert agrees to sell the hospital back to the Boston archdiocese, as Dr. Gideon is set to move on to another hospital in San Jose, California. The finale is more known for its provocative final scene: Westphall and his son Tommy Westphall (played by Chad Allen), who has autism, are seen in Dr. Auschlander’s office watching snow falling outside. The image cuts to an exterior shot of the hospital. At that moment, Tommy and Daniel Auschlander are seen in an apartment building, with Tommy playing with a snow globe. Donald arrives home from a day of work, and it is clear from the uniform he wears and the dialog in this scene that he works in construction. “Auschlander” is revealed to be Donald’s father, and thus Tommy’s grandfather. Donald laments to his father, “I don’t understand this autism thing, Pop. Here’s my son. I talk to him. I don’t even know if he can hear me, because he sits there, all day long, in his own world, staring at that toy. What’s he thinking about?” As Tommy shakes the snow globe, he is told by his father to come and wash his hands for dinner. Donald places the snow globe on the family’s television set and walks into the kitchen with Tommy and Auschlander; as they leave the room, the camera closes in on the snow globe—which holds a replica of St. Eligius.

The most common interpretation of this scene is that the entire series of events in the series St. Elsewhere had been a product of Tommy Westphall’s imagination, with elements of the above scene used as its own evidence. Author Cynthia Burkhead explains that with this final shot, “St. Elsewhere managed to take the idea of a dream and alter it just enough, putting it in the imagination of an autistic boy,” and surmises that an ending constructed in this manner “reminds viewers that the fiction they have watched for six years is actually fiction within a fiction, occupying a second level of unreality, one level beyond the space of illusion filled by all narrative television.” A notable result of this ending has been the attempt by individuals to determine how many television shows are also products of Tommy Westphall’s mind owing to its shared fictional characters (e.g., the “Tommy Westphall Universe“).

“The Last One”‘s closing credits differed from those of the rest of the series. In all other episodes, the credits appeared over a still image of an ongoing surgical operation, followed by the traditional MTM Productions black-backgrounded logo, featuring Mimsie the Cat in a cartoon surgical cap and mask; here, the credits appeared on a black background, flanked by an electrocardiogram and an IV bag, with Mimsie lying on her side at the top of the screen; at the end of the credits, the heart monitor flatlines, marking Mimsie’s death and the end of St. Elsewhere. Coincidentally, Mimsie the Cat died in real life shortly after the airing of “The Last One” at the age of 20.

“The Last One” brought in 22.5 million viewers, ranking 7th out of 68 programs that week and attracting a 17.0/29 rating/share, and ranking as the most watched episode of the series. In 2011, the finale was ranked #12 on the TV Guide Network special, TV’s Most Unforgettable Finales.

Allusions, crossovers, and homages

St. Elsewhere was known for the insertion of several allusions, large and small, to classic movie, pop culture, and television events (the latter especially) throughout its run, including other shows that were produced by MTM Enterprises. Some of the more noteworthy allusions have included:

  • The St. Eligius public address loudspeakers periodically summoned characters from other television series, often going unnoticed by the show’s characters.
  • The character of hospital orderly Warren Coolidge (played by Byron Stewart) was carried over from The White Shadow, where Coolidge had been a student at Carver High. (Before St. ElsewhereBruce Paltrow served as Shadow’s showrunner.) Coolidge occasionally sported a Carver High T-shirt while working at St. Eligius. In third-season episode “Any Portrait in a Storm“, Coolidge sees guest star Timothy Van Patten (another Shadow alumnus) in an elevator and calls out “Heyyyy!! Salami!!”, to which Van Patten, playing an unrelated character (named Dean, in a three episode story arc), replies “You got the wrong guy, pal.”, leaving Coolidge trying to plead his case with a confused “No – it’s Warren.” as the elevator doors close.
  • Another episode saw Amnesiac John Doe #6, a recurring character played by Oliver Clark, watching an episode of The Mary Tyler Moore Show on a hospital TV and started believing himself to be that series’ lead character Mary Richards; during the episode, Doe greeted a visiting Naval officer (from a concurrent storyline) as Moore’s Sue Anne Nivens; the officer, played by Betty White (who played Sue Anne) responds, “I’m afraid you’ve mistaken me for someone else.”
  • In the same episode in which John Doe believed he was Mary Richards, he is verbally disparaged by another patient in the psychiatric ward — Elliott Carlin, the resident neurotic from The Bob Newhart Show played by Jack Riley. Carlin’s treatment of Doe mirrored his behavior toward Oliver Clark’s Bob Newhart Show character, Mr. Herd. Mr. Carlin subsequently appeared on an episode of Newhart, still uncured from the damage caused by “some quack in Chicago.”
  • In “Santa Claus is Dead”, Dr. Craig mentions serving in Korea with his drinking buddy, B.J. Hunnicutt, implying that Dr. Hunnicutt was reassigned to another unit in Korea following the July 1953 deactivation of the 4077th Mobile Army Surgical Hospital at the end of M*A*S*H’s finale, “Goodbye, Farewell and Amen“.
  • The crew filled the series finale, “The Last One“, with an abundance of allusions and homages. The cold open has Dr. Fiscus saying to an ER patient “General Sarnoff…” (the man responsible for launching NBC, the first television network, in 1926) “… cut down the time you spend in front of the television”. There is a direct reference to the 1967 series finale of The Fugitive, when orderly Coolidge catches a “One-Armed Man”, on a water tower, for “Dr. Kimble”. A patient appears to get his hair cut by (The Andy Griffith Shows) Floyd the Barber, including his first name, face and clothing. There is a call over the public address system for a Code Blue (someone has reached their “end”) in Room 222. There is a direct reference to the 1977 series finale of The Mary Tyler Moore Show, including a group hug, a group shuffle to get tissues and a suggestion that they sing “It’s a Long Way to Tipperary“. The finale for the character Dr. Henry Blake in a 1975 episode of M*A*S*H is referenced when cadaver “4077” is autopsied after a “helicopter crash”. There are numerous song references, including Dr. Fiscus saying “It’s the end of the world as we know it, and I feel fine“, and Dr. Auschlander exclaiming “Jumpin’ Jack, what was that flash?“.[18]

St. Elsewhere was also host to one crossover, served as the source material for two others, and has been paid homage to in several ways:

  • The third season’s finale featured Drs. Westphall, Auschlander, and Craig visiting the eponymous pub of Cheers (also set in Boston) for a drink. During the second season of Cheers, barmaid Carla Tortelli (Rhea Perlman) gave birth to a child at St. Eligius, and here expresses her displeasure about her hospitalization there, even getting into a verbal altercation with Dr. Craig.
  • Two St. Elsewhere characters were carried over to the NBC series Homicide: Life on the Street, which was executive produced by St. Elsewhere alumnus Tom Fontana. In an episode in season six entitled “Mercy,” Alfre Woodard reprises her role of Dr. Roxanne Turner, who is accused of illegally euthanizing a cancer patient. Woodard was nominated for an Emmy Award as Outstanding Guest Actress in a Drama Series for her performance. In other Homicide episodes, the character of Detective Tim Bayliss (played by Kyle Secor) develops a bad back and is treated by an offscreen “Dr. Ehrlich.” In the Homicide: The Movie finale, Ed Begley, Jr., makes an uncredited appearance as Dr. Victor Ehrlich.
  • Ed Begley Jr.William DanielsStephen Furst and Eric Laneuville reunited to appear in a season-one episode of Scrubs; the episode saw the actors not reprising their St. Elsewhere characters but rather guest as a quartet of doctors that fell sick at a medical convention. The episode was part of a week-long series of events honoring NBC‘s 75th Anniversary.

After its initial run, reruns of St. Elsewhere aired for a time in syndication, with later runs on Nick at NiteTV LandBravo and AmericanLife TV Network. Also a popular series in the United Kingdom, St. Elsewhere has been aired twice by two independent British broadcasters. Channel 4 aired the series between 1983 and 1989, with Sky One later airing repeats in a daily Midday timeslot during 1992–93. In 2009, Channel 4 began showing the series again, usually at around 03:30AM, and have repeated the entire series several times since then. All 137 episodes are also available to view online at 4OD.

Nick at Nite first added St. Elsewhere to its regular lineup on April 29, 1996 as part of an all-night sneak peek of sister network TV Land. After the sneak peek, Nick at Nite aired St. Elsewhere regularly from May 4 until July 6, 1996 every Saturday night as part of a short-lived programming block called Nick at Nite’s TV Land Sampler. St. Elsewhere was among one of many rotating shows airing Saturday nights as part of Nick at Nite’s TV Land Sampler, which included (among other shows) Petticoat JunctionThat Girl and The Sonny & Cher Comedy Hour along with past Nick at Nite Classics Mister Ed and Green Acres. Nick at Nite aired reruns of St. Elsewhere once again from June 30 until July 4, 1997, as part of the week-long event The 100 Greatest Episodes of All Time.

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